Admittedly, I just wanted to post another picture of Milla Johovich. |
Say what you will about Revenge of
the Fallen... NO ONE in the production of that movie thought they
were making high art, and I feel pity for anyone who expected it. But
if Michael Bay had come out and said “This is a movie about
something special, that means something important politically or
socially!”... I would be right there next to you all cursing his
name! But he didn't. All he promised is “Shit blows up.” That's
it! The Pirates of the Caribbean movies only promised exotic
locales and Johnny Depp acting like a dork for two hours. Nothing
more. And that upcoming Battleship movie? Oh, I already know
people are going to bitch about it... I'm going to see it and I am
going to LOVE IT. Why? The only thing that movie promises is
“Battleships and explosions!” I'm not expecting a serious
dramatic treatise on naval exercises and alien architectural concepts
given new light. And before someone says that they could have been
good action films, like Die Hard or Lethal Weapon, I'd
like to point out that movies of those caliber are the exception and
not the rule. If you were to sit down and stat naming off the really
GOOD action movies, you'd start running out, real fast. Or worse yet,
you'd start including movies from other genre, just to pad the list.
(Like adding Saving Private Ryan. It's not an action movie.
It's a war movie. There's a big difference.) COULD they have bee
more? Yes, of course they can. But like I mentioned before, since
when is it a good thing to being pissed off at something for what it
WASN'T, as opposed to what is WAS?
Well, I'm gonna tell you when. As I
said, I don't blame creators for underestimating their projects.
However the opposite of that is completely irritating. To me, there's
nothing worse than a movie, comic or cartoon that thinks it's more
than it deserves to be. When a creator is calling his or her work
high art, but in reality it's nothing deeper than late night Showtime
softcore cinema. I have a small list of movies like this. Movies that
are so awful, that I hate them. I rank them lower than Frank Miller's
The Spirit. (I at least own that on DVD, even if I did buy it
for $1.99 at a Blockbuster close out sale.) Movies that had a
perfectly acceptable formula laid out before them, and all they had
to do was follow it... But someone decided to stick their heads up
their asses, try and failed to be arty farty, and you ended up with a
piece of shit. When all you want is a stupid popcorn flick, and you
end up with just stupid.
Ladies and gentlemen, my bottom five
shittiest movies of all time.
Bewbs. |
5. SuckerPunch (2011) – Now when the
trailers for this came out, a lot of people were ready to condemn it.
For some reason Zack Synder really irks a lot of fans, and at times I
don't really understand the reasons why. Dawn of the Dead was
pretty good, 300 was awesome as all hell, and Watchmen...
While it shouldn't have been made, I don't blame him. It's like Fear
and Loathing in Las Vegas. It might have been too big to make
into a single movie... But I got to say, despite a few changes here
and there, it was surprisingly faithful to the Alan Moore book. (And
I give him credit for not pussying out with Dr. Manhattan's blue
atomicock.) Then it was announced that Synder was next in line to do
the Superman movie. SuckerPunch hadn't yet come out, and I was
full of hope. Sure nerds were bitching, but if it's not Game of
Thrones, Tron or Firefly... All they know how to do
is bitch, right? So I blew it off. Images and trailers for
SuckerPunch started flowing out, and from all first
impressions, this movie looked to be basically a really
stupid-awesome action movie, basically loaded with steampunk
elements, WWII bombers, dragons, and scantly clad chicks with lesbian
overtones. Awesome. That's all we wanted was some stupid action
movie. What we got was this mean spirited, obsessed with eye liner
that kept going back to a fantasy world of a brothel, which was the
least interesting fantasy world in the movie. It's like when you're
getting your ass kicked for selling baking soda as cocaine, and they
're just working your balls over, kicking and punching them. You ask
them if they could move to another part of the body, and they do...
But after a while, their lack of originality just brings them back to
your balls. I'm sure you've all been there. And instead of owning up
to it, Synder tried to write it off by saying “it was an
intentional movie about female objectification.” Well Zachy boy,
you failed on all counts. I know it's a shock, but the average movie
going audience isn't stupid. They are perfectly capable of watching
and appreciating something deeper like Inception. If they can't
figure it out, without you telling them... Then you've failed. And
now I'm worried for Superman. (And the real shame about this movie is
that there's some amazing visuals in it. It really COULD have been a
cool film.)
4. Hulk (2002) – Here's the thing
about the Hulk. *ahem* “Bruce Banner get's mad. Changes to Hulk.
Hulk Smash.” There's the fucking plot! We all want comic book
movies to be taken seriously, but there are certain comic books where
that's not necessarily needed. Hulk, even when it was written by
Peter David was not a deep comic. It's about a green giant who's the
“strongest one there is.” Instead, director Ang Lee tried to make
the movie about a father and son complex issue, mixed together with
really bad comic book framing. It's almost like he didn't even bother
to read the comics. (Or see the show, or cartoons, or flip through
the clip notes...) And then there's that bit of Hulk growing as he
gets madder, to the point he's almost twenty feet tall in some shots?
I quote Atomic Robo... “Why do we even have the cube squared
law?!” And the movie climax with the fight with Nick Nolte turning
into a rock monster, making no sense at all... All we wanted was
“Hulk Smash!” and all we got was two hours of Hulk's feelings. At
least the 2008 Incredible Hulk movie completely made up for it
to the point most people have even forgotten all about it.
3. Starship Troopers (1997) – You know,
here's the thing about adaptations. Not only is it about getting the
story right, but it's more important to understand WHY the source
material was so beloved. Jurassic Park made some significant
changes from Michael Crichton original novel, but the feeling of the
book was still there. You felt the dinosaurs were real. Sure, Ian
Malcolm died in the book and lived in the movie, you didn't mind the
changes because it didn't change what the story was about. Actually,
I think the movie's a better story too. And I think Crichton did too,
since the sequel book was a sequel to the movie. (Too back the
movie's sequel didn't follow that book at all.) With Starship
Troopers... You got to know that this is the source material
that gave birth to popular franchises like Gundam, Macross and even
James Cameron's take on the Colonial Marines in Aliens. Giant
robots, bug hunts, militarism... These were all elements that helped
make up a very fascinating universe. When we were told that Paul
Verhoven, the director of Robocop was directing the movie, those of
us who were fans of the novel thought “Okay, they'll make some big
changes. It'll mainly be an action movie with giant robots fighting
giant bugs. Sweet, we can live with that.” Then the movie came
out... And not only did it take an HOUR for ANY action to occur, the
action was more parody than anything. It was a snarky movie about
propaganda. (And it wasn't even funny. And it sure as hell wasn't
deep.) I mean, if they wanted to make a serious movie that made
people think, then just stick to the source material! It was already
pretty good and got it's point across. We all were expecting the plot
to be changed, so we were expecting a silly action flick. Hell, the
commercials promised it! And we were bored out of our minds. A friend
of mine told me later that if you fast forward to the good parts,
then it's okay. The problem is that you shouldn't have to fast
forward through HALF the movie to get to the good part. Changing a
good story to some stupid action movie is one thing, and we can get
over it. But changing a good story to another inferior story that you
just think is better is an insult. In it's credit though, I will say
that it was about five years ahead of it's time in making an
'anti-war all soldiers are fascists' movie. Because you know, those
movies *always* deep and insightful, right? (You can't see it right
now, but I'm sneering.)
2. Mortal Kombat: Annihilation (1997) –
Okay, here's the thing about Mortal Kombat. It's a stupid
movie, but it's one of the most successful video game movies ever
made. And the reason for it, is because it's essentially a remake of
Bruce Lee's Enter The Dragon, which in itself was a silly
action movie. Mortal Kombat was actually responsible for the
resurgence of Kung Fu movies in the 90s, much like how Resident Evil
was responsible for the zombie resurgence in the 00s. (Though no one
wants to credit the movies for it, even though it's obvious.) I've
talked recently about Paul W.S. Andersen and why I like his movies,
and when a sequel for Mortal Kombat was announced, well, I figured
he'd just adapt another Bruce Lee movie. (Fist of Fury might
have been perfect for it!) Instead, he chose not to return for the
sequel and do Event Horizon instead. (A rather good movie on
his behalf I think. Event Horizon's a really underrated gem of
a film.) After his departure, a new group of writers and a new
director came on. They decided to be more faithful to the game,
giving it a deeper story and in the end, it was a total clusterfuck.
Look, franchises like Mortal Kombat, D.O.A., Tekken... They're
fighting games. There's NO plot. D.O.A. is about tits and fighting,
Street Fighter is just anime characters hadoukening each other, and
Mortal Kombat is Chinese mythology mixed with bicycle kicks... And a
guy named Scorpion. All they needed to do was make a stupid movie
about another tournament, this time taking place in Outworld. We
already HAD no expectations from the first movie. We knew what we
wanted. When you have a movie that's a huge success (and understand
that the first one was!) when making the sequel, do you change the
formula? No, you stupid sonofabitch, you give them more of the same.
This is what works! When something is successful, you DON'T CHANGE
IT. You only do that when it when it STOPS being successful. All the
had to do was make it a movie about headkicking, and they couldn't
even get it right. Hell they couldn't even get Christopher Lambert
back, and that's pretty sad. (Though if they make a remake, like
they're talking about doing... I wouldn't mind actually seeing an
actual Asian in the role of the Chinese thunder god.)
1. Aliens vs. Predator: Requiem (2007) –
Fuck this movie. No seriously, fuck this movie. Look, the first Alien
vs. Predator movie I talked about here. I liked it. It's a 1950's
monster movie, with the Aliens and Predators. The only thing I would
have changed it make it take place in the 50s. (But I'm a sucker for
period pieces.) However, the nerds, as they're known to do, bitched
about how watered down it was, how it wasn't rated R, or overly
bloody. (By the way, other than Predator 2, none of the previous
movies in the entire franchise were really exceptionally bloody. They
show those with minimal cuts, during daytime television.) Out of the
nine movies in the entire franchise, it probably ranks #4 on the
list, right underneath Alien, Aliens and Predator. (Though if
Prometheus is as good as it's looking, it might get bumped down some
more!) But regardless, the producers listened to the nerds, and they
produced this piece of excrement. Now some people may think I'm being
too harsh... Well, I'm not. Let's start with the fact that there's
absolutely no likable characters in this movie. None. I mean, I get
it that in Final Destination movies, the characters are supposed to
be unlikeable douchbags, so you can look forward to them dying in
horribly funny and ironic ways. But the surviving protagonists in
this movie were not at all likable. I didn't care if they lived or
died. The Predator, which in all previous movies, have been depicted
as ruthless but honorable hunter-warriors, here is depicted as a
heartless monster, killing anyone who gets in his way. (His first
kill was a cop, who just stumbled upon him.) Where in previous Alien
movies, the aliens are shown to impregnate their victims with
face-huggers which lay an egg in their chests, that will later burst
through the victim's chest giving birth to an alien... The Predalien
in here, grabs the victim (always women) by the head, and essentially
'facefucks' the woman, who shortly after, give birth to a horde of
baby aliens clawing through her belly. And let's not forget the
tasteful scene of the Predalien in the maternity ward, heavily
implying he ate the newborns. There's a very defined and thick line
between creepy disturbing and gross disgusting. Prior to this movie,
the Aliens have been the former. This movie falls into the latter.
Now let me emphasize, I'm well aware
that I'm NOT the target audience for modern day horror movies like
Piranha or Hobo with a Shotgun. I get that, and while I
may not be the target audience, I can still respect the movies for
what they are and what they're supposed to be. I think had the movie
been just a Predator movie, when him hunting down an unrelated rogue
space monster, I probably would have been okay with it. (The Predator
movies generally are more graphic than Alien movies.) But Predator or
not, it's still an Alien film and while they are horror movies, the
Alien movies are supposed to possess a level of class and substance.
A level that this movie did not have. I wasn't creeped out, or
disturbed. This is the crap that a juvenile nerd would come up with.
I'm not fond of Alien Resurrection, but at least that's an Alien
movie, which is more than I can say for this piece of fuck. And I
won't even address how incompetent they made the military look. I get
it they're outnumbered and didn't know what to expect, but come on!
The armed forces are better than that! (Hell, street gangs are better
than that!) The thing is, when there's a sequel, there is a
precedence that's set. That's the keyword with all movies is
“precedence” and it applies to all the movies on this
list. All movies, no matter good, bad, or stupid-awesome has set a
precedence that the audience comes to expect from the movie. This
precedence is defined by the source material, the previous movies and
even the trailers. Even when the movie is complex where you don't
know what to expect, like Inception, you know what you're
going to be in for. And each one of these five movies failed to
deliver on that precedence. Are there other movies that are just as
bad? Yes, but I had actual attachments to these movies, so that's why
they pissed me off so.
And there you go. Originally I actually
had 1999's Dungeons and Dragons on this list, but the
Nostalgia Critic's review of it gave me a new appreciation for the
piece o' crap. The fun of Jeremy Irons' overacting, versus Thora
Birch's underacting is a treat to watch. So, that's my bottom five
shittiest movies of all time. Now as I leave off, I'm going to be
honest. I could have made this list my shittiest comic book list, but
unfortunately, it's really far too long to list. And considering I'm
supposed to be a comic book creator, at this point in time, it's been
far too long since I've put out a comic regularly, and I should not
be one to talk, until I can put out.
1 comment:
Hulk dogs... goddamn hulk dogs.
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