Tuesday, May 15, 2012

Stupid-Awesome - The Thing (2011)


Remakes in Hollywood are commonplace, but they've ALWAYS been common place. Now when a remake is announced, a lot of people bitches and moans about it, about how it wasn't needed or it was taking away from the original. Honestly, I never bought that excuse. Remakes do not take away from the original movie anymore than a bad sequel does. After all, there are a ton of movies that we assume are the 'originals' but are actually themselves remakes. Such is the case for today's movie, 'The Thing'. And no, I'm not talking about 1982's John Carpenter's classic... I'm talking about the recent 2011 remake/prequel movie. Before I begin, SHOULD the movie have been made? Well, no. It wasn't needed. John Carpenter's The Thing is one of those movies that are just perfect for me. (Someday I should compile a list of movies that I actually consider to be of high quality and art. Carpenter's movie would be on it.) However, I could say with complete confidence that 90% of the movies created didn't need to be made. And remakes are going to be made, whether it's for the best or not. So in the end, all you can hope for is that the movie can stand on it's own and not try to copy the original, or try and complement the first movie. I pretty much feel that the '11 Thing movie does the latter.

The '11 Thing movie was given a lot of shit from critics for being an unnecessary remake or prequel, which had the same damn plot as the '82 movie. The thing is, I'm glad it did. You see, if you're going to do a remake... This is the best kind of way to do it. It was already established in the first movie that there was another incident that occurred at a Norwegian site. In the '82 movie, when Copper and MacReady fly to the site, we're never given a full picture of what happened there. There's holes in the walls, the place is burnt down, a dude is there who killed himself with a razor, and his blood was frozen mid-stream... What the hell happened there? Well, we KNOW what happened. The monster happened. And there is a really good argument saying that we should not know what happen. It makes the first film much creepier and isolating, if we're sitting here thinking “Who were these 10-12 people?” But I have to say, after seeing the '11 film... It really DOES make it a lot creepier. That helicopter gunman in the beginning wasn't some nameless soul... It was Lars. That poor son of a bitch with the slit wrist isn't an unnamed ghost anymore... It's Colin. That two-headed burnt corpse wasn't just some random monster... It was Edvard and Adam. Now we know these people, we know who they were and what they were like. And personally, I think it doesn't just compliment the '82 Thing, but now makes it a lot more unsettling. There's a lot to appreciate about how director Matthijs van Heijningen Jr. directed the film. Instead of shooting the film digitally, he chose to film it with anamorphic cameras, to better compliment the original movie. The movie was written at a slower pace, and it feels that way. It honestly feels like a 1980's horror movie. (And I love those!) He really strove to replicate the Norwegian encampment from the '82 movie, explaining all these little details, and the do a good job on it. (How did that ax get in the wall? Oh, Carter put it there!)

With the '11 Thing movie, it was obvious to anyone who actually watched it that these guys loved the original Carpenter movie. They weren't trying to outdo the '82 movie, but compliment it... If you watch these movies back to back, it's bloody obvious. A comment right from an IGN interview, involving the producers from the movie:

“...the two convinced Universal to create a prequel instead of a remake, as they felt that remaking Carpenter's film would be like "paint(ing) a moustache on the Mona Lisa". Eric Newman explained; "I'd be the first to say no one should ever try to do Jaws again and I certainly wouldn't want to see anyone remake The Exorcist... And we really felt the same way about The Thing. It's a great film. But once we realized there was a new story to tell, with the same characters and the same world, but from a very different point of view, we took it as a challenge. It's the story about the guys who are just ghosts in Carpenter's movie - they're already dead. But having Universal give us a chance to tell their story was irresistible.”

And I have to agree. Like I said earlier, I think it adds to it. If you don't like it, then it's okay... It doesn't detract from the first movie at all.

Now of course the movie isn't perfect. It's got it's good shares of flaws. In it's efforts to be that complementary to the first movie, they fail to establish themselves as their own movie. A few times too many, they end up repeating some key plot points from the Carpenter movie, as opposed to going into their own direction with it. And there are times that the special effect just looks... Well... Bad. And I'm understanding of the situation, but I just wonder if there may have been another method to pulling it off.

A lot of complaints people have about the movie is the addition of computer generated effects in the movie... But the truth is, the director and producer chose to use a lot more practical effects than we think were used. Yes, when they used digital, it was pretty obvious, and I'm not too thrilled about how the two-headed monster moved about. But here's my thoughts on CGI verses Practical: No one ever complains about CGI when it's Transformers, Avatar or Avengers. They only complain when it DOESN'T have a billion dollar budget. I hear internet critics praising practical effects all the time, and for good reason. When it's done well, it looks real and convincing... Just like CGI. But you know what? When practical effects aren't well done... Which a lot of the older horror movies weren't... It looks just as fake as bad CGI. I remember James Rolfe praising the 1988 remake of the Blob usages of practical effects as opposed to CGI effects it would have probably used if it had been made years later. And yes, I won't argue with the man, because he' truly knows his stuff... But even as a kid, I never once felt like the practical effects of the Blob was 'real'. Because whenever they had to interact with people, it was obviously blue/green screened. And me personally, I feel that's just as bad as low budget CGI. Maybe worse, I dunno. I'm not too sure why I'm supposed to condemn one method that looks crappy, but praise another one that also looks crappy. Nostalgia? Now the '82 Thing was given a lot of praise for it's special effects, and the way they pulled it off. And rightfully so, as it was really well done. And yes, the '11 Thing did take advantage of CGI effects for the monsters, but it's nowhere near as prominent as some of the internet critics would have you believe. It was used mainly in places where it would have been financially unfeasible to do so with practical effects. I think people often forget that a movie budgets are very real things. We're so used to hearing about directors spending $250 million dollars on a movie, that we don't realize that for all the James Camerons of the world, most directors have a very limited budget to pull this movie off with. The '11 Thing only had a 30 million dollar budget. Yeah, I know that 30 million is still a shitload of money, and I could do so very much with even a half a percent of that. But in Hollywood, that's the equivalent of a dinner at Cracker Barrel. It's higher quality food than McDonald's, but it's not exactly Outback Steakhouse either. But you can still get some pretty damn good food there. (I love their chicken and dumplings!) A lot of movies out there are actually the Cracker Barrels of movies. And they have to make do with a decent storytelling. Sometimes, in the cases of District 9 or Pan's Labyrinth, it's done perfectly. But as movie going audiences, we often start to do unfair comparisons. “Movie X could do this on a smaller budget, so why can't Movie Y?” Well, why doesn't all full color webcomics look as good as other full color webcomics? Why isn't one musician as good as another musician? I am a strong believer that no one goes out of their way to produce crap. It doesn't mean it doesn't happen... Just that I don't believe that they're trying to purposely make it bad. Sometimes... You just have a bad idea and you're so close to it, that you can't see it. Hey, even Ridley Scott eventually made Hannibal.

One of the biggest problems with the '11 Thing movie is actually on the characters. Kate Lloyd, played by Mary Elizabeth Winstead... I just never really was able to buy her character's decent into paranoia or even some of the leaps in scientific logic she makes. Granted the first movie had this issue as well, where I never was able to buy Blair's sudden snap of sanity either. She seems like a decent actress, but here, it just seems like sometimes she's either going through the motions, and other times she's really into the role. It's kinda polarizing. And I can't be certain if it's her, or if it's the script. Reason I say the script, is that some of the Norwegian crew, we never really get a sense of who they are. Some of them, we totally do. But there's a lot of nameless folks in this movie that never really get developed. (Unlike in Carpenter's movie, where we got to know who all eleven of those guys were.) And that may be another problem, which I think hurts the tension in this movie. In the original Thing movie, while we got to know and care about the characters of Site 31... We also knew that they were basically a bunch of jerks. MacReady not exactly a cuddly individual, Childs has major anger issues, Garry's a dick... There was tension there, because no one really liked each other in the first place. They were kind of alienated before the monster showed up. With the Norwegian crew, other than Dr. Sandor Halvorson, who's pretty much an arrogant dick... They all seem like pretty cool guys. Like if you had to be stuck with a bunch of folks in a snowstorm in Antarctica, they're the people who you'd want to be stuck with. And that does hurt the tension some. But I suppose that's kind of the point, as it IS a different movie.

So is the 2011 Thing movie perfect? Hell no. It really does feel less like it's own movie, and more like a set-up. Did it really need to be made? Not really, but I could say that of most movies. But am I glad it was? Yeah, I am glad it was made. I did enjoy it, and enjoyed it enough that I bought the DVD of it. It's not the greatest movie ever, and if you had to watch one of the Thing movies, I'd recommend the '82 or even the 1951 classic film. It's generally a fun movie that doesn't have any noticeable plot holes. Yeah, it's essentially the same movie made over again. It's better to come up with a new story, but if you gotta do a remake of a previously made movie, this is probably the better formula to follow. Some will like it and some won't. You mileage may vary, but for what it's worth... I liked it.

STOOGE RATING
Joe Besser

No comments: