Hey, I have a blog! Who knew?!
Yeah, I know. It's been about a year since I last posted anything, and there's a few good reasons for it.
So in the last year, I've gotten into a serious relationship with an amazing woman, and for the last year, I've been doing a lot of commissions and work to get the money saved up and the portfolio built up to find work in Pennsylvania and move there. And the time is upon me. As soon as I land a job, I'm moving there. So I've had a pretty busy year here. I've been drawing a Transformers Shattered Glass fancomic for a client. (Paid work!) And I also did some layouts for last years Botcon comic, and will be doing layouts for this years follow up story. I've been doing a shitload of commissions and generally... Just been busy. I guess I didn't post a lot here, because as far as comics goes... I haven't had much to comment on. The Third Accelerator comic underwent a rewrite (for the better), I've done a good share of writing (nothing finished though), a lot of commissions, and really that's about it. Nothing that's Earth shattering opinion-wise.
Anyway, in recent months, it was advised that I snag myself a Tumblr site, which I did. And I've been posting artwork and stuff there more and more these days. It's basically my main hideout these days. I'm not sure what I'm going to do with the blog here... I'm not going to rid of it, but I'm still gotta figure out what to do with it. In the meantime, I invite you to swing on over to my Sharkraptors and Space Cadets Tumblr and catch up on stuff there.
Monday, June 2, 2014
Monday, May 13, 2013
Blackmail Material
If you're an artist, who's
been doing this comic thing for a while, it's guaranteed you've had a
period of time in your art where you've experimented with different
art styles. Sometimes they turn out nicely and you end up embracing
them and it becomes what you're known for. Other times? Yeeeeah, holy
crap you want to forget that experimental phase ever existed. This is
the story of one of those times. About ten years ago, I was playing
around with art styles. (I think sometime before, I've shown off my
older artwork, if not... Just take my word for it.) I was heavily
influenced by Bruce Timm's art style, and I was trying to play with
it and branch out. So during this brief period a little under ten
years ago, I tried this... For lack of better words... attempt
at a merger of Bruce Timm's style with Peter Chung's style. And it
was godawful. Proportions were borked and my attempts to streamline
resulted in the style looking so damn amateurish. And well, let's be
honest. There's just certain things that just don't mix. (Like steak
and ice cream.) At this tie, I was still on my old, old, OLD
computer, and I saved things to zipdisks and had hard copies. (I
didn't have a CD burner yet. That wouldn't come for at least another
year.) So there's a lot of my old artwork I had actually FORGOTTEN
about. Thus, I had forgotten I tried this old merger of
styles.
Until last week.
Until last week.
Thursday, May 2, 2013
Stupid-Awesome: Resident Evil: Retribution
And by 'begins', they mean 'begins at the end of the movie.' |
So a half year later, I've finally caught up
with Resident Evil: Retribution. Now, truth be told, I don't really
care about the games. Outside of playing the first one back in the
90s, I've never really played them. (And that first one, the
Playstation froze on me before I even got anywhere interesting and I got bored.) So when they make changes to the overall story
and characters of the games, I'm not exactly broken up about it. I
enjoy these movies on their own merit.
I've made no secret that I love stupid
movies and Lord knows I love movies that accepts they're stupid movies even more.
There's just something so satisfying in a world where too many directors seem
to think the stupid crap they produce is gold pressed latinum, that
here's a slew of creators that knows what they're creating and does
not apologize for it. It's kinda like porn: No one's pissed off that
the director of the super-hero porn parody movie is making something
stupid, because the audience already knows it's stupid. We get more irritated when it
tries to take itself seriously as a form of social commentary or
something stupid like that, when all you're wanting is just to watch
two or three (or seven) attractive people do each other. The Resident
Evil movies are like that for me. They're stupid. Holy Christ,
they're stupid, but you know what? I love them. Now part of it is my
unrequited love for Milla Jovovich, who I've harbored deep unhealthy
feelings for since I saw her near naked years ago in her music video 'Gentleman Who Fell'. But another part
is that for some reason, I love her husband, Paul W.S. Anderson's
movies. They're stupid and he doesn't try to hide it... He's like a
lower-budgeted Micheal Bay. People are often surprised that he keeps
making movies, but there's a certain logical dynamic when it comes to
making movies. It's all about making money. He keeps his movies under
budget so that no matter what, unless it's a truly unwatchable piece
of crap, on a Ecks vs. Sever level of horrible, it's going to make a
profit. And unless you're a hardcore zombie puritan or just a dude with a stick up yer butt, the Resident
Evil movies have never been really outright horrible...
...Until now.
Tuesday, April 30, 2013
Bringing it back down to Earth...
The rejected second page of the book. |
Hey folks, sorry for the long delay
here. (Though I'm sure a few of you are used to it already.) I've had
a busy month here, with final exams and some artwork to do here. Plus
there's a pretty good chance I'll be moving sometime in the near
future, out of state away from Michigan. But during this month, I had
actually had no time to work on the Third Accelerator... Which when I
finally sat down to begin work on it again, I discovered something
disheartening: I hated how it looked.
Y'all remember a year ago when I had
that artistic ephiphany? You know the one where I realized I had been
slacking off on the lineart and I need to make improvements, because
I'm better than I've been producing? Well, apparently... I suck at
listening to myself. I'm going to give a little back story here,
because I think it'll be good for us all. Prior to my years on
Shadowgirls, I used to draw in a much more detailed style. It was a
far cry from my current cel-style of artwork. I've said before that a
big reason why I embraced the cel-style look is because of my love
for animation and also because of ease of production, when I was
producing Shadowgirls on a regular basis. But, you also might
remember that toward the premature end of Shadowgirls, that I was
hating my artwork pretty badly. I admit, for a while there, it was
just easy to blame the tight turn around time for it all... But
recently, I've learned that's not the case.
Wednesday, March 27, 2013
Young Justice: "Let it go."
Young Justice is over with, and I know
a lot of you are upset about it, and for many good reasons. Least of
which, it was the last version of a DC Universe a lot of us were even
familiar with. It's where Tim Drake was still a Robin, where we had
Apache Chief, Samurai and El Dorado (and they were cool), where
everyone didn't wear high collars and seams on their costumes and
where Stephanie Brown even existed. It was a fun DC show. But was it
the greatest DC show that ever existed?
No.
Sorry to say it, but no. It wasn't. The
first season built up this really interesting version of the mythos,
where we got to know and like these several characters, all with
exception of Robin Kid Flash, we never had any real formal previous
introduction to in other shows. This was the first animated version
of Conner and Miss Martian, not to mention before this show, barely
anyone even heard of Artemis, and last but not least, the show pretty
much created Aqualad as the son of Black Manta. We got to know these
characters and love these characters. And in time, we got introduced
to a variety of other members. They brought in a teenaged Zatanna,
with an interesting history with her father and Doctor Fate, they
made Red Tornado pretty awesome, and we all loved the interesting
mixture of Captain Marvel and Billy Batson, and his little secret he
kept from the League as well as the team. (Who didn't love that scene
where Wonder Woman called him out, saying that he kept it from the
team, and Batman chimes in “I knew.” And Wonder Woman's looks at
him like “Oh, of course you did.”) And it also fit into a
majority of those DC Direct to Video movies too. I mean, this could
easily have been in the same universe as most of them. (They used
many of the same character models.) Even Captain Atom, a favorite
character of mine played a small but important part too. At the end
of the first season, I would have placed this up there with the
Justice League show.
Then Invasion happened. And it dropped.
It was good but it wasn't great. But if you had asked me before
Season Two began, before Invasion, I would have said it was. I hate
to admit this, but the second season just wasn't that good. Those six
or seven characters we got to intimately know and love, were
scattered... And worse yet, scattered off camera by events we didn't
even get to see. Robin was now Nightwing and we had not just a new
Robin, but there was a Robin in between... But we didn't get to see
this. Aqualad had turned traitor and joined his father Black Manta,
over the death of Tula... That we never got to see. (Turns out he
wasn't really a traitor, but was working for Nightwing.) Conner and
Megan broke up, and now she was dating Lagoon Boy... And we didn't
get to see it. Kid Flash retired for reasons of insecurity or
something, and Artemis and him became serious and were living
together... And guess what? Oh, and I sure hope you weren't fond of Rocket. She gets shuffled off to obscurity.
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